An exploration of sculpture’s relationship to landscape and the body as viewed through the lens of the artist-traveler.


Our workshop will examine the notion of travel through such examples as Baudelaire’s flâneur, the Situationists’ theory of Psychogeography, and artists ranging from Robert Smithson and Richard Long, to Francis Alys and Olaf Breuning. We will conduct a series of exercises, expeditions, and missions including the creation of livable shelter-sculptures to inhabit on a weekend camping trip in the Scottish Highlands. Bedouin tents, arctic research stations, camper vans, Hoovervilles, hunting blinds, and interplanetary spacecraft serve as our inspirational points of departure...


Participants:

Matt King (Instructor), Andrew Cobb, Zoe Golden, Rebecca Henderson, Elise Isom, Mitchell Petersen, Cameron Robinson, Andrew Schmidt, Emily Stokes


The Glasgow Artists and Writers Workshop

Virginia Commonwealth University

Glasgow, Scotland, June 22nd - July 23rd, 2010

Sunday, June 27, 2010



Walks of identical total length of 1,000 unit steps are shown drawn to scale. Lévy flights (or walks) have ultra-long steps, which are absent from Brownian walks. b, A close-up of the Brownian walk, in which the walker returns many times to previously visited locations (a phenomenon known as 'oversampling'). By contrast, the Lévy walker occasionally takes long jumps to new territory. This reduction in oversampling is part of the theoretical basis for interest in the Lévy-flight foraging hypothesis, which predicts that Lévy flights offer higher search efficiencies in environments where prey is scarce. Humphries et al.2 show that marine predators often move in patterns that are consistent with this hypothesis.


(Do animals ever get lost?)

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